Michael Oakeshott, Susan Wolf, Conversation, and Louis Malle’s “My Dinner with André.”

Some characterizations of My Dinner with André, 1.

Wally feels obligated to dine with André but dreads it because he has heard that André is deeply troubled and feels there is nothing he can do to help. Wally is also overwhelmed by the pressures of practical life: he can’t do anything but worry about how he will pay his bills. He settles on a solution to his immediate problem: he’ll merely ask questions of André, something he enjoys doing. That works, but in the course of his dinner with André something more happens: the meal ends with Wally a little less overwhelmed than he was when it began.

André wants to live each moment as intensely as possible, but he seems to think that this requires him to eschew any sense of a quest for larger, objective value. Wally, on the other hand, indicates that he values stable and committed relationships and his contributions, however small, to the theater, and expresses an identification with the scientific enterprise and so with a central narrative tradition of Western Civilization. But he doesn’t find many moments of passionate intensity in his day-to-day life, which, in contrast to André’s, seems to have isolated him from others. The film, narrated from Wally’s point of view, conveys his renewed appreciation for the quality of immediate experience for those with whom he shares his world. On his way home after dinner he’s noticeably more attentive to what his city means to him, and he resolves to share his experience with his girlfriend Debby.

André and Wally have different views about the meaning of life. André wants to live each moment as intensely as possible and believes that he can accomplish this by undergoing extreme experiences. Wally values stable relationships and commitments and takes pleasure accomplishing the everyday tasks they require, hoping also to occasionally contribute to the theater. As the film begins, however, Wally doesn’t take any pleasure in ordinary life and doesn’t have time to contribute to the theater. André is passionately engaged with his activities, but they don’t seem to make sense to anyone but him. Wally’s values and aims are perfectly intelligible, but he doesn’t find them fulfilling. As he listens to André’s exotic stories, Wally realizes how much he loves his life and he reminds himself of this on his way home. We’re left wondering about whether the conversation has had an impact on André. Continue reading →

Democratic Bullshit

Is democracy bullshit?

Actually, the question isn’t whether or not democracy is bullshit, but whether the bullshit of democracy is being put to good use.

First, what is bullshit? As Harry Frankfurt established, lying and bullshitting are not the same, although they may overlap. Let me explain.

Both liar and bullshitter aim to deceive, but in different ways and for different purposes. The liar wants his victim to believe what is not the case. In doing so, the liar necessarily misrepresents himself as believing something he does not believe, but self-misrepresentation is not necessarily his primary aim. In the case of the bullshitter, however, self-misrepresentation is always primary. The bullshitter is up to something, and he does not want his victim to catch on.

The essence of bullshit, in other words, is that it is inauthentic. A bullshitter wants you to believe he knows something he does not, can do something he cannot, and more fundamentally is something or someone he is not. A bullshitter, therefore, may not lie at all. A man may bullshit about carpentry with the aim of inducing you to take him as a genuine carpenter, without saying anything at all false about carpentry. Continue reading →

Plato’s “Totalitarian” State

I spent a few months re-reading Plato’s Republic with two friends, one a mathematician and the other a writer of fiction. I’ll write in due course about the mathematical and literary issues that arose; they were the most interesting topics we found. But it was necessary at first to get past some political hurdles. One of them was what might be called the ghost of Karl Popper and his 1945 book The Open Society and Its Enemies.

In it Popper associates fascism and totalitarianism – ideologies that yield what he calls “closed societies” – with some ideas that are ultimately traceable to Plato (and to an extent to Aristotle, whom Popper also subjects to a lot of criticism): holism, essentialsm, and historicism.

Holism, roughly, is the idea that the whole is prior to the parts, that the parts depend on the whole, and that the function of the parts is to constitute the whole. As applied to political theory, this means that state is prior to the individuals in it and that the latter exist to serve the former.

According to Popper, this doctrine is expressed in Plato’s concept of justice, namely a well-functioning state. In Plato’s ideal city, everyone contributes to the state in ways to which they are best suited.

Essentialism is the idea that knowledge consists of an understanding of the unchanging and often hidden reality that is responsible for what we seem to observe in the empirical world. This is Plato’s idea of the Forms, which are discovered by rational inquiry not empirical observation. Continue reading →

Judith Butler’s Category Mistake

I respect Judith Butler – however, amicus Plato, sed magis amica veritas.

The claim that sexual differences, and the body generally, as well as agency or personhood, are “socially constructed” is incoherent and misleading. On the contrary, it seems virtually self-evident that sexual differences (and many other features of the body) are not social constructs.

A subsidiary thesis is that the mechanism by which social construction takes place is “power,” and that seems dubious as well. Surely a great deal of social construction takes the form of interactions that are entirely voluntary and mutually beneficial.

Continue reading →

Are we living in Deleuze’s society of control?

Many years ago, on a drive from Berlin to Paris, I found myself talking with an official at the French border. I don’t recall precisely what we had to discuss, but after a brief conversation he tried to express himself in English to inform me that I could enter the country. “I will control you,” he said.

He meant both that he would examine my passport, and see to it that I got across the border. This double sense of contrôle is relevant to Deleuze’s picture of a “post-disciplinary” society.

It’s a world that depends on a constant flow of people, information, commodities, and capital from one part of the planet to another. Controls of various kinds – institutional, electronic, pharmaceutical, and educational – are designed to facilitate the flow, not to inhibit it. The infrastructure invites and encourage individuals – or dividuals, as Deleuze christens them – to divide and distribute their time, skills, and attention among the many different corporate and state enterprises that float freely over the streams, vectors, platforms, channels, and interfaces.

The flow never stops, and there is nowhere that flows do not penetrate. Everything in society bears down on you at once, all the time, and everywhere, although you are apparently bringing this on yourself.

Deleuze was a brilliant philosopher, and that’s putting it too mildly. But his political and social thinking was not of the same caliber as his metaphysics.

Continue reading →

Remembering George Spencer-Brown

George Spencer-Brown’s The Laws of Form (1969) made a big impression of me when I encountered it a half-century ago.

What I got from the book on a first reading was the idea that the most elementary form of thought consists in drawing a distinction.

[A] distinction is drawn by arranging a boundary with separate sides so that a point on one side cannot reach the other side without crossing the boundary. For example, in a plane space a circle draws a distinction.

In drawing a distinction, one also does several other things: one indicates the spaces, states, or contents on either side of the boundary, attributes different values to what is indicated, establishes the possibility of indicating the values by naming them, and establishes the possibility of crossing from one side of the boundary to the other.

Now, it is possible to draw a “first distinction” only because something is distinguishable. For example, the plane surface on which one draws a circle is itself already distinguished from other surfaces. Were it not, it would not be possible to isolate the surface on which one arranges a boundary, or to establish its value.

In other words, a distinction has always already been drawn.

At least, for we mortals. The very first distinction must have been drawn by God. And that is indeed what the Bible seems to indicate: “And God separated the light from the darkness. And God called the light Day, and the darkness he called Night. And there was evening, and there was morning: a first day.” A distinction is drawn (“God separates”), values are attributed (“light” and “darkness”), values are named (“Day” and “Night”), and boundaries are crossed (“there was evening, and there was morning”). God creates by drawing distinctions. And as we were made in His image, so do we. Continue reading →

Philosophy and/or Literature: The Case of Nietzsche

Which is more important: the artistic merit of Nietzsche’s writing, or its philosophical content? A similar question could be asked about Plato. Dialogues such as the Apology and Republic are works of art that also convey philosophical arguments.

Let’s take a look at a passage from The Anti-Christ §11. (I’ve compressed it a bit.)

A word now against Kant as a moralist. A virtue must be our invention; it must spring out of our personal need and defence. In every other case it is a source of danger. That which does not belong to our life menaces it; a virtue which has its roots in mere respect for the concept of “virtue,” as Kant would have it, is pernicious. Quite the contrary is demanded by the most profound laws of self-preservation and of growth: to wit, that every man find his own virtue, his own categorical imperative. Nothing works a more complete and penetrating disaster than every “impersonal” duty, every sacrifice before the Moloch of abstraction. Continue reading →

Art, Adorno, and Communism

In Negative Dialectics, Theodor W. Adorno famously wrote that “[p]hilosophy, which once seemed obsolete, lives on because the moment to realize it was missed.” He’s alluding to Marx’s eleventh thesis on Feuerbach: “philosophers have only interpreted the world in various ways; the point is to change it.” (I like Baudrillard’s riposte: “activists have only changed the world in various ways; the point is to re-interpret it.”)

The realization of philosophy was the reconciliation of theory and practice, i.e. concrete, real-world freedom for all, a “polis without slaves.” The missed opportunity – the point at which freedom for all could have been achieved – was presumably the Bolshevik Revolution, which led to totalitarianism.

Personally, I’m skeptical of the idea that the Bolshevik Revolution would have resulted in a worker’s paradise but for the perfidy of the West, which Adorno seems to have believed at least as of his discussions with Max Horkheimer in 1956 (see Horkheimer and Adorno’s Towards a New Manifesto, 2011). But that’s another matter.

Adorno appears to have settled down in the view that although capitalism was bad, “actually existing communism” was worse, and the best we can hope for is the life provided by the liberal democratic welfare state – what Herbert Marcuse called the “smooth, comfortable unfreedom” of “one-dimensional society.” We can forget about the reconciliation of theory and practice. Instead, we should devote ourselves to alerting the victims of one-dimensionality to their oppression, from which they are distracted by the culture industry. There’s no viable path to communism, and attempts to act on the delusion that there is will provoke the “system” to turn from the soft power of consumerism to the coercive instruments of the police state – as Adorno thought the student movement of the 1960s was causing it to do.

Communism, then, was a failed dream, and political utopianism of any kind was downright dangerous. Are Adorno’s views on art analogous? Continue reading →

PHILOSOPHICAL LIMERICKS AND CLERIHEWS

Young Saul questioned Russell on names,
And refuted quite all of his claims.
A name’s not a description,
It’s just a baptism.
And with that Russell went down in flames.

 

Charles Taylor found fault with modernity
Because it had short-changed fraternity.
The Self, he opined,
Was much more than just Mind.
With deep meaning it must be combined.

 

Robert Brandom inclined to infer
The commitments he thought that there were.
But his normative attitudes
Struck many as platitudes,
Which complaint he dismissed as a slur.

 

The philosopher Rawls would commence
By sparing the worst-off some pence.
Robert Nozick demurred,
Thought Rawls’ notions absurd.
And that was their principal difference. Continue reading →

Finding a Way

Late in 1971, when I was 16, during a visit to the Santa Ana Public Library (in Southern California), I had a dramatic aesthetic experience.

At this point I had read fairly widely. I knew Hawthorne, Twain, Thoreau, Whitman, and Melville, Kafka and Sartre, Huxley and Orwell (Down and Out in Paris and London as well as Animal Farm). I’d read (or read at) Russell and Wittgenstein, Nietzsche, Marx, and Freud, and people like B.F. Skinner, Buckminster Fuller, Arthur Koestler, Lewis Mumford, Marshall McLuhan, Tom Wolfe, and Joan Didion. I’d seen paintings by Picasso and heard Stravinsky, Wagner, and Morton Subotnick.

I was always on the lookout for more, though I didn’t always have a clear idea of what I was looking for.

That afternoon in 1971, however, I did know. I had come for a copy of Molloy, which I wanted to read after having seen a PBS broadcast called Beginning to End in which the Irish actor Jack MacGowran, dressed in a thick black cloak, stands in the Mojave Desert and recites passages from the works of Samuel Beckett.

Continue reading →