In the expanded second edition of Politics and Vision (2004) Sheldon S. Wolin devotes an entire chapter to Friedrich Nietzsche, a figure omitted from the original 1960 edition. Wolin’s Nietzsche is a deeply political thinker who would do away with liberal democracy on the grounds that it fosters a “herd mentality”: an attraction to security and docility that disguises itself as an altruistic concern for humanity.
At the heart of Nietzsche’s philosophy, Wolin argues, is the concept of power. Nietzsche held that life itself is the “will to power,” understood as the drive to increase one’s strength and impose one’s will. In Nietzsche’s view as Wolin understands it, all human institutions are expressions of power relations, not of justice or morality. By making power the central value, Nietzsche denied the liberal democratic hope that politics could accommodate reasonable deliberation and the recognition of equal rights, instead conceiving of it as an arena of conflict, struggle, and domination.
Culture, not parliaments and certainly not bureaucracies, is according to Nietzsche the real shaper of humanity. Governance for Nietzsche could not be about law or procedure but must focus instead on whatever is required to cultivate a certain type of personality, one who is self-confident, assertive, domineering, and comfortable with his superiority to the majority. Instead of focusing on policies and principles, then, Nietzsche was concerned with the “revaluation of values.” Accordingly, he offered no vision of an adequate or ideal political association – a fatal flaw for Wolin – and instead undertook a kind of cultural revolution against modern liberalism.
Nietzsche’s celebration of strength naturally lends itself to an aristocratic politics for which “the political way of life … has never been … for the many but only for ‘the best.’” Wolin sees Nietzsche as longing for a “new elite” to reshape culture. This is part of what Wolin calls Nietzsche’s “cult of the exceptional,” the idea that human greatness is achieved only by rare individuals who are not inhibited by the “herd” and its norms. In contrast to the “last men” of modernity, who are complacent, petty, and devoid of creativity, the Übermenschrepresents a future type who will overcome the nihilism of the modern age by creating a new myth that celebrates domination through creative achievement.
Wolin thus portrays Nietzsche as an unrelenting critic of liberal democratic institutions. Nietzsche rejected egalitarian ideals, endorsed a politics of raw power, prioritized creative individuals over the democratic herd, and denied rational and moral constraints in favor of myth and struggle. While acknowledging the value Nietzsche’s analysis of nihilism and conformity, Wolin places far more weight on Nietzsche’s anti-egalitarian and anti-rationalist stance and finds in it a dangerous repudiation of “the political” as an explicitly shared or common form of life.